{"id":403,"date":"2026-01-14T23:00:07","date_gmt":"2026-01-14T22:00:07","guid":{"rendered":"https:\/\/hannesbajohr.de\/en\/?p=403"},"modified":"2026-01-14T23:01:12","modified_gmt":"2026-01-14T22:01:12","slug":"403","status":"publish","type":"post","link":"https:\/\/hannesbajohr.de\/en\/2026\/01\/14\/403\/","title":{"rendered":"New volume: Schreiben nach KI (Writing after AI)"},"content":{"rendered":"\n<p>At the turn of the year, Rohstoff Verlag published the volume <em>Schreiben nach KI <\/em>(Writing after AI), edited by Ann Cotten and myself. From the publisher&#8217;s description:<\/p>\n\n\n\n<p><em>What is writing after AI? Poets take a closer look, as usual. Contrary to romantic reservations, poetry does not have to take a particular stance on writing technologies, except for those that affect their usefulness for the purposes of poetry \u2013 and those remain open. In the current period of upheaval \u2013 after the introduction of large language models, before they become normal in everyday life \u2013 the volume <\/em>Schreiben nach KI<em>, edited by Ann Cotten and Hannes Bajohr, brings together voices that reflect on the threshold moment in writing media in which we find ourselves.<\/em><\/p>\n\n\n\n<p><em>With contributions by Hannes Bajohr, Jenifer Becker, Lillian-Yvonne Bertram, Emma Braslavsky, Ann Cotten, Florian Cramer, Franz Josef Czernin, Dietmar Dath, Natalie Deewan, Ulrike Draesner, Verena D\u00fcrr, Mara Genschel, Joshua Gro\u00df, Juan S. Guse, Thomas Haider, Martina Hefter, Zuzana Hus\u00e1rov\u00e1, Dagmara Kraus, Nick Montfort, Florian Neuner, Allison Parrish, J\u00f6rg Piringer, Kai Pohl, Monika Rinck, Philipp Sch\u00f6nthaler, and Ferdinand Schmatz.<\/em><\/p>\n\n\n\n<p>More on the <a href=\"https:\/\/www.matthes-seitz-berlin.de\/buch\/schreiben-nach-ki.html\">publisher&#8217;s website<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>At the turn of the year, Rohstoff Verlag published the volume Schreiben nach KI (Writing after AI), edited by Ann Cotten and myself.<\/p>\n","protected":false},"author":1,"featured_media":405,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[6,10,20],"class_list":["post-403","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","tag-ai","tag-digital-literature","tag-publication"],"_links":{"self":[{"href":"https:\/\/hannesbajohr.de\/en\/wp-json\/wp\/v2\/posts\/403","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hannesbajohr.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hannesbajohr.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hannesbajohr.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hannesbajohr.de\/en\/wp-json\/wp\/v2\/comments?post=403"}],"version-history":[{"count":3,"href":"https:\/\/hannesbajohr.de\/en\/wp-json\/wp\/v2\/posts\/403\/revisions"}],"predecessor-version":[{"id":407,"href":"https:\/\/hannesbajohr.de\/en\/wp-json\/wp\/v2\/posts\/403\/revisions\/407"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hannesbajohr.de\/en\/wp-json\/wp\/v2\/media\/405"}],"wp:attachment":[{"href":"https:\/\/hannesbajohr.de\/en\/wp-json\/wp\/v2\/media?parent=403"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hannesbajohr.de\/en\/wp-json\/wp\/v2\/categories?post=403"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hannesbajohr.de\/en\/wp-json\/wp\/v2\/tags?post=403"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}