At the turn of the year, Rohstoff Verlag published the volume Schreiben nach KI (Writing after AI), edited by Ann Cotten and myself. From the publisher’s description:
What is writing after AI? Poets take a closer look, as usual. Contrary to romantic reservations, poetry does not have to take a particular stance on writing technologies, except for those that affect their usefulness for the purposes of poetry – and those remain open. In the current period of upheaval – after the introduction of large language models, before they become normal in everyday life – the volume Schreiben nach KI, edited by Ann Cotten and Hannes Bajohr, brings together voices that reflect on the threshold moment in writing media in which we find ourselves.
With contributions by Hannes Bajohr, Jenifer Becker, Lillian-Yvonne Bertram, Emma Braslavsky, Ann Cotten, Florian Cramer, Franz Josef Czernin, Dietmar Dath, Natalie Deewan, Ulrike Draesner, Verena Dürr, Mara Genschel, Joshua Groß, Juan S. Guse, Thomas Haider, Martina Hefter, Zuzana Husárová, Dagmara Kraus, Nick Montfort, Florian Neuner, Allison Parrish, Jörg Piringer, Kai Pohl, Monika Rinck, Philipp Schönthaler, and Ferdinand Schmatz.
More on the publisher’s website.